51社区黑料

Raised in the only Indian Reserve in Alaska, Mique鈥檒 Dangeli is of the Tsimshian Nation of Metlakatla Indian Community. She belongs to the Eagle Clan of the Gispaxlo鈥檕ts and holds the Tsimshian name Shu鈥�goot Laxsgiik (Devoted Eagle) and Tlingit name Taakw Shaaw谩t (Winter Woman). Her passion for engaging with critical issues surrounding First Nation art history has developed out of and continues to be informed by her hereditary rights and privileges in ceremony as well as her role as a teacher of her people鈥檚 language, song, dance, painting, carving, and design. The experience of carrying these responsibilities from a young age inspired Mique鈥檒 to study of Northwest Coast Native Art History at the University of Washington, where she graduated with her B.A. in 2002.

To refine and build upon her critical engagement with First Nations art history, Indigenous research methodologies, and cultural and intellectual property rights, Mique鈥檒 earned her Master鈥檚 Degree in art history from UBC in 2006. Her thesis focused on the work of B.A. Haldane, a 19th Century Tsimshian photographer who establihed a portrait studio in Metlakatla in 1899. Considered to be the first professional Native photographer on the Northwest Coast, Haldane鈥檚 photography documented the subversive means through which Tsimshian cultural practices continued during a time of intense colonial oppression. As his photographs were removed from Metlakatla to be absorbed into archives across North America, Mique鈥檒 approach to community-based research repatriated his images back to his family and community as well as significantly disrupted the dominate colonial narrative of Metlakatla鈥檚 history. Her M.A. research has been published widely and she has been invited to speak at conferences and University classes on it as well as other topics relating to First Nation art and performance.

Mique鈥檒 is currently a PhD Candidate specializing in Northwest Coast First Nations Art History at UBC. She and her husband Mike Dangeli share the leadership of internationally renowned Northwest Coast masks-dancing group, the Git Hayetsk Dancers (People of the Copper Shield) based in the unceded territories of the Coast Salish peoples. The Git Hayetsk share the songs and dances of their ancestors as well as compose and choreograph new ones to reflect the challenges and victories of their experiences as First Nations people today. Having danced in and led dance groups in Alaska, Washington, and BC through her life, Mique鈥檒鈥檚 situated knowledge is the lens through which she approaches her doctoral research. Her thesis is the first art historical analysis to focus on the work Northwest Coast First Nations composers and choreographers whose work is vital to dance group performances. It specifically engages with issues around the local and global interpretations of culture, rights, knowledge, and sovereignty. Her research investigates the artistic processes through which composer and choreographers create new songs and dances within and as assertions of cultural protocols. She argues that these artistic processes are strategic acts of self-determination that are both deeply rooted in ancient practices and grounded in contemporary First Nations issues. A primary focus of her research is the tension between public performance of songs and dances and their ceremonial use, specifically around issues of Indigenous copyright. One of the main objectives of Mique鈥檒鈥檚 doctoral research is to create a critical awareness around the issues of ownership and usage of song and dances among Northwest Coast First Nations peoples and how these systems of protection, maintenance, and Indigenous copyright interfaces with intercultural audiences both in live performance and through social media.

NEWS

Congratulations to IPinCH Fellow Mique鈥檒 Dangeli
Oct 21 2013 鈥� Mique鈥檒 is the recipient of the Society of Dance History Scholars (SDHS) Selma Jeanne Cohen Award for excellence in dance scholarship. Mique鈥檒 was granted the award for her paper, 鈥淒ancing Our Politics: Contemporary Issues in Northwest Coast First Nations Dance.鈥�