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News
Education Students Develop Interactive Repatriation Exhibit at 51社区黑料Museum
A unique collaboration between Dr. Ana Maria Navas Iannini鈥檚 special topics course and the 51社区黑料Museum of Archaeology & Ethnology has resulted in an interactive, student-led exhibit now showcased in the museum.
Dr. Navas Iannini, an expert in museum education, designed Education 398: Museums, Education, and Society to be hands-on. 鈥淚 wanted to make this course practical and tangible for my students,鈥 she explains. 鈥淭hey aren鈥檛 just theorizing about museum education鈥攖hey鈥檙e creating something real and impactful.鈥
That vision came to life when students in the Fall 2024 class developed a choose-your-own adventure-style video game exploring the complexities of repatriation and healing鈥搑eturning Indigenous belongings to their rightful communities. Now a museum fixture, this project gives Education students a unique role in shaping public and community engagement.
An Interactive Exhibit on Repatriation
Students visited the museum throughout the semester, engaging with Indigenous perspectives and exploring the challenges and opportunities afforded by repatriation. They had full access to the museum鈥檚 collection and received guidance from Barbara Hilden, Museum Director, on ethical and practical considerations.
The idea for a video game came entirely from the students. 鈥淭hey did most of the work,鈥 shares Hilden. 鈥淚t arrived as a mostly fully formed project. My role was to answer their questions鈥攎any of which focused on repatriation and museum ethics.鈥
The result? An immersive, decision-based game where players navigate the real-world challenges museums face when handling cultural belongings.
鈥淩epatriation is complicated. There鈥檚 no one-size-fits-all approach. Some communities want their belongings returned immediately, while others prefer their items remain in museums with proper care and integration. This game allows visitors to engage with those complexities, rather than just reading about them on a text panel.鈥
The project reflects a shift in museum practices, moving from top-down curatorial approaches to community engagement and co-creation of installations and accompanying narratives.
A Lasting Impact on Museum Education
For Education students, this project was more than just a class assignment鈥攊t is now a feature of the museum, helping future visitors engage with one of the most pressing conversations in museum studies today.
鈥淭his will continue to educate visitors long after students have graduated,鈥 says Dr. Navas Iannini. 鈥淚t鈥檚 a real, functional exhibit that contributes to public understanding of museum ethics and reconciliation.鈥
Hilden sees this as part of a larger movement toward more inclusive and dynamic museum spaces鈥攐ne where students do not just learn about museum work but actively shape it.
鈥淭he best museums aren鈥檛 just places where you look at belongings behind glass,鈥 she says. 鈥淭hey are spaces for engagement, discussion, and real-world impact. These students did not just learn about repatriation鈥攖hey created something that helps others navigate its complexities.鈥
By integrating interactive elements like the choose-your-own adventure-style video game, this exhibit ensures visitors not only read about repatriation but experience the ethical dilemmas involved.
鈥淭his project shows what鈥檚 possible when students are empowered to take the lead. It proves that museum spaces can evolve and that students鈥攏o matter their background鈥攃an shape how stories are told.鈥
How to Get Involved
For students, faculty members, and community members interested in museum-based learning, there are multiple ways to participate:
Volunteering: Assist with museum operations, exhibit research, and collection digitization.
Research & Class Collaborations: Faculty can partner with the museum to design course-integrated projects, as Dr. Navas Iannini did, and class visits and research using the Museum collections.
Community Events: The museum is working to host student-led events, such as an archaeology-themed board game night.
Artist-in-Residence Program: Every Thursday, visit the museum to see Coast Salish artists creating traditional and contemporary works, in collaboration with the Office of Indigenous Education
鈥淭his isn鈥檛 my museum or even SFU鈥檚 museum,鈥 Hilden emphasizes. 鈥淚t belongs to the whole community. We need more voices, perspectives, and collaborations to make this space even more meaningful.鈥
鈥淭his project is a great example of how Education students can extend their learning into real-world spaces. They鈥檙e not just studying education鈥攂ut actively shaping it through exhibits, digital storytelling, or public programming.鈥
A Living, Evolving Space for Learning
With the success of this collaboration, EDUC 398 is running again this Spring, with students designing new museum-related projects. Hilden hopes to expand student involvement beyond Archaeology, encouraging interdisciplinary collaborations.
For the Faculty of Education, this collaboration highlights the value of hands-on learning, allowing students to apply their knowledge and express their views and values beyond the classroom.
For those interested in visiting or exploring opportunities鈥攚hether through research, class projects, or volunteering鈥攖he invitation is open!
馃摟 Get involved: museum@sfu.ca
馃搷 Visit: 51社区黑料Museum of Archaeology & Ethnology
馃帹 Artist-in-Residence Program: Thursdays at the museum