Remember that time we met in the future?
Lara Kramer
January 28 & 29, 2026 | 7:00 PM
Tickets: Standard: $39 // Generous: $59
Fei and Milton Wong Experimental Theatre
School for the Contemporary Arts at SFU
149 W. Hastings St., Vancouver
To purchase tickets and for complete credits, please visit .
Heart // Time // Becoming
Remember that time we met in the future? moves through a world in transformation鈥攚here land, light, sound, and memory converge. Within a shifting terrain of salvaged materials and spectral landscapes, four Indigenous artists journey through nonlinear time, where body and land, spirit and matter are inseparable.
Each movement is a trace of ancestral memory, of futures unfolding, of a pulse shared between beings and worlds. Through intimate physicality, layered imagery, and atmospheric force, the performers navigate a landscape of story, ritual, and resonance.
This is not dance as spectacle, but as invocation where stillness holds weight, sound becomes breath, and tenderness meets storm. In this durational dreamscape, the dancers walk with more-than-human kin, carrying the gravity of lived experience and the glow of emergent futures. Remember that time we met in the future? invites audiences into a present stretched by memory, a space of becoming, of heartbeats carried forward.
Shared at the artist鈥檚 invitation, by Jo毛lle Dub茅 accompanies Remember that time we met in the future? by Lara Kramer, tracing the work鈥檚 attention to ghost gestures, deep memory, and bodies moving across folded time. The text offers an optional space for attunement before or after the performance.
Content Advisory: Flickering lights, partial nudity.
Presented by the , , and Cultural Presentations at 51社区黑料Goldcorp Centre for the Arts.
Biography
Lara Kramer is a performer, choreographer, and multidisciplinary artist of mixed Oji-cree and settler heritage, raised in London, Ontario. She lives and works in Tiohti脿:ke/Mooniyang/ Montreal. Her choreographic work, research and field work over the last fifteen years has been grounded in intergenerational relations, intergenerational knowledge, and the impacts of the Indian Residential Schools of Canada. She is the first generation in her family to not attend the Residential schools. Kramer鈥檚 relationship to experiential practice and the creative process of performance, sonic development and visual design is anchored in the embodiment of experiences such as dreams, memories, knowledge, and reclamation. Her creations in the form of dance, performance and installation have been presented across Canada and Australia, New Zealand, Martinique, Norway, the US and the UK.